From Bowliekid

I have every intention of making the film. I just realised that the music was good to go, and ought to go first! When I realised I would have to write another draft of the script, I thought I’d take a sidestep and put out the record. I was sure that it would stand on its own. A sort of a sentinel until the film makes it. And who knows, the film may contain _quite_ different music by the time it comes round.

I’m interested in the way the record process will affect the script. I may either be informed by the whole business of working with Catherine (and Celia and Alex), or I may sink further into the haze of fiction.


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